Trap, Soul, and Truth: Brandon Mitchell’s Gametime Hits Every Note

Brandon Mitchell is making serious waves with his new album Gametime, a bold and genre-bending project that blends pop, soul, autotune, hip-hop, and even trap into a sound that’s all his own. Every track brings a fresh energy, and the whole record pulses with vibe and vision. Gametime is a vibe and Rock the Pigeon is delighted to hear the record and share that vibe with all of you.

One standout track is Highest Wave 2, where Brandon spits slick bars with laid-back precision. When he raps, “I’m a DJ, I be spinning records,” it’s more than just a line, it’s a statement of presence. His delivery is smooth yet self-assured, and his melodic flow locks you in. “It’s a vibe here, I’m invested,” he declares, and honestly, it’s impossible not to be. Brandon Mitchell knows how to set the tone and holds the power of setting the tone for the entire room. Highest Wave 2 is a song that could be a favorite, playing smooth and steady in a dimly lit lounge or club, the bass humming low, wrapping around the room, smoke hanging in the air as strangers turn into friends. It’s not about dancing, it’s about vibing, connecting, and letting the music pull everyone into the same chilled-out spirit.

Plays opens with airy keyboards and a slick vocal intro, setting the stage before Brandon Mitchell dives in. The tempo picks up from Highest Wave 2, leaning further into trap territory with a sharper edge. Brandon kicks things off by name-dropping and casually tossing out a “what’s up?”, a cool, confident nod before launching into a tighter, harder-hitting flow about his rise in the music game. His delivery is smooth but assertive, weaving in bars that stick. The track is packed with infectious moments, it’s hook after hook, giving listeners plenty to rewind and ride with. “We ain’t here to play no games.” Brandon Mitchell is serious about his career in music, and this album showcases just how serious he is.

What We Doin, featuring Bussy B, kicks off with a gritty, dissonant piano riff that loops hypnotically throughout the track, instantly grabbing the listener’s attention and holding it. Brandon Mitchell reflects on his come-up, tracing his journey with his career beginning in San Jose to moving to Los Angeles in pursuit of bigger stages and real industry moves. His storytelling feels grounded and driven, while Bussy B slides in with a fresh contrast, adding texture and swagger that make the track pop. The hook, “yeah, what we doin?”, is impossible not to echo back, catching in your head before the first listen’s even over. With bass that hits hard enough to shake your rearview mirror, this one’s a certified hype anthem.

Closing out our highlights is the heartfelt track Brooklyn’s Song, featuring the warm vocals of Brooklyn Aviel, who, based on the lyrics, is Brandon Mitchell’s daughter, who is a toddler. The track is drenched in emotion, carried by jazzy, reverb-soaked piano chords that create a dreamy, reflective atmosphere. Brandon slows his flow here, delivering each line with intention and vulnerability. There’s a soft strength in his voice as he speaks directly to his daughter, expressing gratitude, love, and a deep commitment to her future. It’s a beautiful moment on the album, where the beat softens, the message deepens, and we see the full heart behind the artist. My favorite line on the entire album is on this song: “Hard work always beats talent, but together they equal greatness. The key element to faith is when you exercise patience.”